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Edward Kleban
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Edward "Ed" Kleban (April 30, 1939 – December 28, 1987) was an American and . Kleban was born in , New York City, in 1939 and graduated from New York's High School of Music & Art and Columbia University, where he attended with future playwright .

Kleban is best known as lyricist of the hit A Chorus Line. He and composer won the 1976 for Best Original Score, and he shared the Pulitzer Prize for Drama in 1976 with Hamlisch and three other contributors to the musical. The one-woman show, The Madwoman of Central Park West (1979), featured a few tunes with his lyrics.

For several years, he worked at , where he produced albums by performers as diverse as and , and the albums for the Off-Broadway musicals Now Is The Time For All Good Men and Jacques Brel is Alive and Well and Living in Paris.

He was a teacher for many years at the BMI Lehman Engel Musical Theater Workshop.


Death
Kleban died of complications from throat cancer, aged 48, on December 28, 1987 at St. Vincent's Hospital in New York.


Kleban Foundation
In his will, Kleban established the Kleban Foundation, which grants the annual Kleban Prize in Musical Theatre. The prize is given in the amount of $100,000, paid over two years, to the most promising librettist and lyricist in American musical theatre. The awards are administered by BMI in association with and ASCAP.

The prize has been given to 63 artists over the past 27 years, awarding a total of around $5,000,000. Notable Kleban Prize winners include Jason Robert Brown, , , , , , and Robert L. Friedman.

Kleban Prize Winners:

2025Madeline MeyersRaja Feather Kelly, ,
2024Rona SiddiquiMichael R. Jackson, Christine Toy Johnson, Elissa Adams
2023Ryan Scott OliverEthan LiptonLeah C. Gardiner, , Orville Mendoza
2022César AlvarezIsabella DawisSarah Hammond, Or Matias,
2021Melissa Li & Kit Yan, Mike Lew, Seret Scott
2020Daniel MesséRehana Lew Mirza & Mike LewGerard Alessandrini, ,
2019Sarah Hammond / (TIE)Charlie Sohne, ,
2018Alan Schmuckler / Amanda Yesnowitz (TIE)Christian Duhamel, ,
2017Daniel ZaitchikKristen Anderson-Lopez, , ,
2016Stacey LuftigDaniel Goldstein, Michael Price, Andrew Zerman
2015Sam WillmottSam Carner, Wiley Hausam,
2014Arthur Perlman, Colleen Jennings-Roggensack, Bill Rosenfield
2013Daniel MatéAlan GordonSean Hartley, ,
2012 / Matt Schatz (TIE)Marshall Brickman, Ted Chapin,
2011Michelle Elliott, ,
2010Peter MillsBarry Wyner, Susan Drury,
2009Beth Falcone, Thomas Z. Shepard,
2008David Lindsay-AbaireLaura Harrington / Bill Solly and Donald Ward (TIE)Beth Blickers, Linda Kline, Gilbert Parker
2007Jeremy Desmon, , Charles Koppelman
2006Alison Louise Hubbard / Robert L. Freedman and (TIE)Laurence Holzman and Felicia NeedlemanCheryl L. Davis, Susan Drury, Ken Stone
2005Cheryl L. Davis and Ken Stone (TIE), Michael John LaChiusa,
2004Laurence O'KeefeSusan DiLallo, Bill Goldstein,
2003Nell BenjaminSusan DiLallo, ,
2002Jason Robert BrownLori McKelveyJerome Coopersmith, ,
2001 and Patrick Cook, Michael John LaChiusa,
2000Marion Adler, , / and David Spencer (TIE)Stephen Cole, , William Russell
1999Michael John LaChiusa, John Jiler,
1998Sarah SchlesingerLissa Levin / (TIE)Ellen Fitzhugh, John Morris,
1997Brian Crawley, James Freydberg,
1996, ,
1995John Jiler, , Wendy Wasserstein
1994Joe Keenan / Jim Morgan (TIE)William Strzempek, ,
1993Barry KleinbortLanie Robertson, ,
1992 , , Stephen Schwartz
1991Mark Campbell, ,


A Class Act
His will also granted rights to his collection of unpublished songs to friends and Wendy Wasserstein with the request that they incorporate them into a new musical. Their attempts failed and the rights reverted to Kleban's longtime companion, librettist Linda Kline. Kline sought someone who did not know or work with Kleban, but who would learn about him through the material. She admired previous work of and sought him as a collaborator.

After six years of work, with Price and Kline as co-authors, Price directed and played the role of Ed in A Class Act, a musical biography of Kleban with a score consisting of songs he wrote for numerous unproduced musicals. After a two-month run at the Manhattan Theatre Club, it transferred to the Ambassador Theatre on March 10, 2001 and ran for three additional months. Almost 14 years after his death, Kleban earned a nomination for Best Original Score and Drama Desk nominations for Outstanding Music and Outstanding Lyrics.


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